Why Super Bowl halftime show was controversial

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Why Super Bowl halftime show was controversial

From Comcast SportsNet
The NFL and a major television network are apologizing for another Super Bowl halftime show. There was no wardrobe malfunction, nothing like that glimpse of Janet Jackson's nipple eight years ago that caused an uproar and a government scrutiny. Instead, it was an extended middle finger from British singer M.I.A. during Sunday night's performance of Madonna's new single, "Give Me All Your Luvin.'" In front of some 110 million viewers on NBC and uncounted others online, she flipped the bird and appeared to sing, "I don't give a (expletive)" at one point, though it was hard to hear her clearly. The NFL and NBC wasted little time in responding. "The obscene gesture in the performance was completely inappropriate, very disappointing and we apologize to our fans," said Brian McCarthy, spokesman for the NFL, which produced Madonna's halftime show. The risque moment came during the biggest TV event of the year. The screen briefly went blurred after M.I.A.'s gesture in what was a late attempt -- by less than a second -- to cut out the camera shot. "The NFL hired the talent and produced the halftime show," NBC spokesman Christopher McCloskey said. "Our system was late to obscure the inappropriate gesture and we apologize to our viewers." Jackson's infamous oops during the 2004 halftime show raised a storm of controversy and put CBS in hot water with the Federal Communications Commission amid questions about the responsibility of TV networks to police their airwaves. Justin Timberlake ripped off Jackson's bustier, exposing her breast for nine-sixteenths of a second, a moment for which CBS was fined 550,000 by the FCC. The network challenged the fine and last fall, a federal appeals court ruled against the FCC despite an order from the U.S. Supreme Court to review the case. The three-judge panel reviewed three decades of FCC rulings and concluded the agency was changing its policy, without warning, by fining CBS for fleeting nudity. This year's game, in which the New York Giants beat the New England Patriots 21-17, is expected to challenge last year's record of being the most-watched U.S. TV event ever. M.I.A. is best known for her 2007 hit "Paper Planes," a Grammy nominee for record of the year that memorably features a sample of the Clash song, "Straight to Hell." It was featured on the soundtrack to the movie "Slumdog Millionaire." After the incident, McCarthy said that M.I.A. had not done anything similar during rehearsals and the league had no reason to believe she would pull something like that during the actual show. Madonna had admittedly been nervous about her performance, hoping to position herself as the queen of a new generation of pop stars with an opulent show and a sharp performance that mixed her new release with more familiar songs. She seemed like Roman royalty when muscle-bound men carried her extravagant throne across the football field to the stage for her opening song, "Vogue." Guests Cee Lo, Nicki Minaj and dance rockers LMFAO also appeared with Madonna. The singing and dancing on "Vogue" was smartly choreographed, as Madonna moved more deliberately -- she is 53 -- but still adroitly. She briefly appeared to stumble at one point while trying to make a step on the stage set, but recovered in time. She let a tightrope walker make the more acrobatic moves during a performance of "Music." Madonna carried gold pompons for a performance of her frothy new single. Twitter was alight with questions about the vocals being lip synched or augmented by tapes, particularly during this song. The best guest was clearly Cee Lo, who joined Madonna for the final song, "Like a Prayer." They were joined by a robed chorus in the show's most soaring performance. With a puff of white smoke, Madonna disappeared down a trapdoor in the stage, and lights on the field spelled out "World Peace." The performance was also carried live on SiriusXM Radio, giving Madonna the biggest single audience of her career. For all the elaborate choreography and flashy effects, the finger incident is the more likely headline from the event. Earlier, Kelly Clarkson, Blake Shelton and Miranda Lambert offered some pregame patriotism. Shelton and Lambert did a twangy duet on "America the Beautiful" and Clarkson, in a simple black dress, sang "The Star Spangled Banner" without a hitch after last year's performer, Christina Aguilera, flubbed a line.

Doug McDermott's return boosts Bulls' bench

Doug McDermott's return boosts Bulls' bench

Doug McDermott wasn’t exactly hunting for his first shot, but the first time he touched the ball in an NBA game in nearly a month wasn’t the optimal situation for him to let one fly.

It wasn’t in transition where he runs to an opening behind the 3-point line, nor was it a drive-and-kick situation where the help defense collapsed and left him open. It was a regular, simple, pass to the perimeter and McDermott’s defender was in reasonable proximity with 3:23 left in the first quarter.

He launched and the crowd soon roared its approval as his sweet jumper was sorely missed by the Bulls bench brigade—and moments later when he ran the floor for a fearless layup that caused Spurs coach Gregg Popovich to call a timeout, McDermott showed he missed the United Center crowd too, calling for more noise on his way to the bench.

“Anytime you have a guy like Doug, he comes back and makes his first 3, that’s hard to do,” Bulls coach Fred Hoiberg said. “He stepped up with confidence on that first shot. I’m sure he had a lot of nerves getting back out there.”

Missing 12 games and suffering two concussions, McDermott looked right at home in 25 minutes of run Thursday as the Bulls were able to rely on their reserves in some form in their 95-91 win over the previously perfect road warriors known as the Spurs.

“We defended and kept them off the foul line,” McDermott said. “Coach (Jim) Boylen was with them, so we feel we know them and I think all this time they were missing my defense.”

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The last statement was certainly tongue-in-cheek, but the Bulls’ bench production was certainly missing in action while he was out with the concussion protocol. So much so that his return prompted the Bulls’ coaching staff to call out the reserves in the morning shootaround, demanding more.

“It’s definitely Dwyane (Wade) and Jimmy (Butler) and (Rajon) Rondo (but) the coaching staff kinda called out our bench like, we gotta have you tonight, bench,” McDermott said. “We took that to heart, we were really locked in.”

Seemingly his presence aided the Bulls’ spirits and production, as the Bulls’ bench had the least effective scoring bench in the NBA since Nov. 13, the day after McDermott hit the unforgiving floor against the Wizards for his second concussion this season.

Their net rating ranks ahead of only the Wizards, Mavericks and Nets, who are a combined 17-45 this season. Their effective field goal percentage, which takes into account 3-pointers, is worst in the league in that span (42.3 percent).

When McDermott was healthy for that smaller sample size, the Bulls’ bench ranked fifth in offensive efficiency, seventh in net rating, and fifth in efficient field goal percentage. Whether McDermott – and his absence – was directly related to those numbers, it’s clear the Bulls are better when they have their best reserve – and only true floor spacers on the second unit – on the court.

“We’re all professionals and we want to help the guys who are busting their butts in the first unit to get us the leads,” McDermott said. “Tonight we did a great job of sustaining it. We take it personal when teams come back on us.”

[MORE: Pau Gasol relishes consistency with Spurs he couldn't find with Bulls]

Nikola Mirotic was four of eight from the field, and Cristiano Felicio seems to be back in Fred Hoiberg’s good graces as he’s carved out a rotation spot for himself with nine points and seven rebounds in 18 minutes.

It seems as if Hoiberg will stick with this rotation of players, at least for a little while until Michael Carter-Williams returns from his injuries. If McDermott is the mark of the Bulls’ bench going from bottom feeder to adequate, it should show this month.

“When he’s out there on the floor and we get him coming off screens, it forces the defense to shift as another person they need to be aware of,” Hoiberg said. “It opens up driving lanes for our guys. It was great to have Doug back with us.”

Morning Update: Bulls beat Spurs in Pau Gasol's return to Chicago

Morning Update: Bulls beat Spurs in Pau Gasol's return to Chicago

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