Why Super Bowl halftime show was controversial


Why Super Bowl halftime show was controversial

From Comcast SportsNet
The NFL and a major television network are apologizing for another Super Bowl halftime show. There was no wardrobe malfunction, nothing like that glimpse of Janet Jackson's nipple eight years ago that caused an uproar and a government scrutiny. Instead, it was an extended middle finger from British singer M.I.A. during Sunday night's performance of Madonna's new single, "Give Me All Your Luvin.'" In front of some 110 million viewers on NBC and uncounted others online, she flipped the bird and appeared to sing, "I don't give a (expletive)" at one point, though it was hard to hear her clearly. The NFL and NBC wasted little time in responding. "The obscene gesture in the performance was completely inappropriate, very disappointing and we apologize to our fans," said Brian McCarthy, spokesman for the NFL, which produced Madonna's halftime show. The risque moment came during the biggest TV event of the year. The screen briefly went blurred after M.I.A.'s gesture in what was a late attempt -- by less than a second -- to cut out the camera shot. "The NFL hired the talent and produced the halftime show," NBC spokesman Christopher McCloskey said. "Our system was late to obscure the inappropriate gesture and we apologize to our viewers." Jackson's infamous oops during the 2004 halftime show raised a storm of controversy and put CBS in hot water with the Federal Communications Commission amid questions about the responsibility of TV networks to police their airwaves. Justin Timberlake ripped off Jackson's bustier, exposing her breast for nine-sixteenths of a second, a moment for which CBS was fined 550,000 by the FCC. The network challenged the fine and last fall, a federal appeals court ruled against the FCC despite an order from the U.S. Supreme Court to review the case. The three-judge panel reviewed three decades of FCC rulings and concluded the agency was changing its policy, without warning, by fining CBS for fleeting nudity. This year's game, in which the New York Giants beat the New England Patriots 21-17, is expected to challenge last year's record of being the most-watched U.S. TV event ever. M.I.A. is best known for her 2007 hit "Paper Planes," a Grammy nominee for record of the year that memorably features a sample of the Clash song, "Straight to Hell." It was featured on the soundtrack to the movie "Slumdog Millionaire." After the incident, McCarthy said that M.I.A. had not done anything similar during rehearsals and the league had no reason to believe she would pull something like that during the actual show. Madonna had admittedly been nervous about her performance, hoping to position herself as the queen of a new generation of pop stars with an opulent show and a sharp performance that mixed her new release with more familiar songs. She seemed like Roman royalty when muscle-bound men carried her extravagant throne across the football field to the stage for her opening song, "Vogue." Guests Cee Lo, Nicki Minaj and dance rockers LMFAO also appeared with Madonna. The singing and dancing on "Vogue" was smartly choreographed, as Madonna moved more deliberately -- she is 53 -- but still adroitly. She briefly appeared to stumble at one point while trying to make a step on the stage set, but recovered in time. She let a tightrope walker make the more acrobatic moves during a performance of "Music." Madonna carried gold pompons for a performance of her frothy new single. Twitter was alight with questions about the vocals being lip synched or augmented by tapes, particularly during this song. The best guest was clearly Cee Lo, who joined Madonna for the final song, "Like a Prayer." They were joined by a robed chorus in the show's most soaring performance. With a puff of white smoke, Madonna disappeared down a trapdoor in the stage, and lights on the field spelled out "World Peace." The performance was also carried live on SiriusXM Radio, giving Madonna the biggest single audience of her career. For all the elaborate choreography and flashy effects, the finger incident is the more likely headline from the event. Earlier, Kelly Clarkson, Blake Shelton and Miranda Lambert offered some pregame patriotism. Shelton and Lambert did a twangy duet on "America the Beautiful" and Clarkson, in a simple black dress, sang "The Star Spangled Banner" without a hitch after last year's performer, Christina Aguilera, flubbed a line.

Bears Talk Podcast: What's next for Bears at QB after Brian Hoyer suffers broken arm?


Bears Talk Podcast: What's next for Bears at QB after Brian Hoyer suffers broken arm?

Lance Briggs, Alex Brown and Jim Miller break down where the Bears go at QB following Brian Hoyer’s injury and evaluate the defense’s gutsy performance on Thursday night against the Packers despite numerous injuries. Plus, a look at the big picture and who can help the Bears down the road.

Check out the latest edition of the Bears Talk Podcast here:

Anthony Rizzo/Javier Baez antics show how this Cubs team doesn’t feel the same weight of history

Anthony Rizzo/Javier Baez antics show how this Cubs team doesn’t feel the same weight of history

LOS ANGELES – Within minutes of the last out on Thursday night at Dodger Stadium, ESPN’s @SportsCenter account sent out a photo of Moises Alou at the Wrigley Field wall to more than 30 million Twitter followers: “The last time the Cubs were up 3-2 in an NLCS was Game 6 of the 2003 NLCS vs. the Marlins. Most remember it as ‘the Bartman Game.’”

As Kerry Wood once said: “Irrelevant, dude.”
Look, the Cubs still need to find a way to beat either Clayton Kershaw or Rich Hill this weekend, with Kenley Jansen resting and waiting for the multiple-inning saves. The obligatory description for Kershaw is “the best pitcher on the planet.” Hill’s lefty curveball – and “the perceptual velocity” of his fastball – freezes hitters. Jansen has a mystical cutter reminiscent of the great Mariano Rivera. The top-heavy part of this Los Angeles playoff pitching staff has held the Cubs to zero runs in 16.1 innings.

But until proven otherwise, forget about this idea of a Cubs team weighed down by the history of a franchise that hasn’t played in the World Series since 1945.

Just look at Javier Baez getting in Anthony Rizzo’s airspace during Game 5, the human-highlight-film second baseman standing right next to the All-Star first baseman as he caught a Kike Hernandez pop-up for the second out of the third inning.

It didn’t matter that this was a 1-0 game and MVP-ballot players Justin Turner and Corey Seager were coming up. This is what the 2016 Cubs do. Rizzo caught the ball, quickly flipped it underhand and it bounced off Baez’s chest – in front of a sellout crowd of 54,449 and a national Fox Sports 1 audience.

“We always mess around,” Rizzo said at his locker inside a tight clubhouse jammed with media after an 8-4 win. “So I’m screaming: ‘Javy! Javy! I got it! I got it, Javy, I got it!’

“And usually he’ll yell at me: ‘Don’t miss it!’ Or I’ll yell at him: ‘Don’t miss it!’

“We do that a lot. If it’s a pop-up to him, I’ll go right behind him. It’s just little ways of slowing the game down and having fun, too.”

Rizzo is a Gold Glove-caliber first baseman for a team that led the majors in defensive efficiency this year. As a super-utility guy, Baez got credit for 11 defensive runs saved in 383 innings at second base, or one less than co-leaders Dustin Pedroia and Ian Kinsler, who each did it in almost 1,300 innings.

“Sometimes when I call (Rizzo) off to get a fly ball, he starts talking to me,” Baez said. “I tell him: ‘Hey, you can do whatever you want. Just don’t move my head. You can touch me if you want. Just don’t move my head.’

“And I told him to be ready for it, because I was going to do the same thing. You just got to be focused on the fly ball. No matter what’s happening around you, you just got to catch it.”

[SHOP: Buy a "Try Not to Suck" shirt with proceeds benefiting Joe Maddon's Respect 90 Foundation & other Cubs Charities]

This isn’t about Bartman. It’s about a group of young, confident players who are growing up together and absolutely expect to be in this position. It’s manager Joe Maddon designing “Embrace The Target” T-shirts and telling them to show up to the ballpark whenever they want and then blow off batting practice.

“For sure, we’re relaxed,” said Baez, who’s gone viral during these playoffs, the rest of the country witnessing his amazing instincts and flashy personality. “I’m relaxed when I play defense.”

The thing is, Rizzo and Baez could be playing next to each other for the next five years, the same way Kris Bryant and Addison Russell will be anchoring the left side of the infield.

This is how Rizzo introduced Russell to The Show when a natural shortstop tried to learn second base on the fly last year and track pop-ups in front of 40,000 people: “Hey, watch out for that skateboard behind you! Don’t trip!”

“Oh yeah, we yell at each other all the time,” Rizzo said. “It’s just one of those things where you got to stay loose.”