5 Questions with...Jim Cornelison

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5 Questions with...Jim Cornelison

By Jeff Nuich
CSN Chicago Senior Director of CommunicationsCSNChicago.com Contributor

Want to know more about your favorite Chicago media celebrities? CSNChicago.com has your fix as we put the citys most popular personalities on the spot with everyones favorite local celeb feature entitled 5 Questions with...

On Wednesdays, exclusively on CSNChicago.com, its our turn to grill the local media and other local VIPs with five random sports and non-sports related questions that will definitely be of interest to old and new fans alike.

This weeks guesthes been called the voice of Chicago sports, whose stirring renditions of our national anthem continue to send United Center Blackhawks crowds into a frenzy each and every time outhis brilliant tenor voice has earned him numerous accolades in the opera field over the years and his popularity among Chicago sports fans just grows and grows(everyone now) Ooh Say Can You Seeeee!...that its 5 Questions withJIM CORNELISON!

BIO: Jim Cornelison is in his fourth season as the Blackhawks full-time national anthem singer, having made regular appearances singing the anthem at the United Center since 1996. In addition to his countless standout anthem performances for the Blackhawks, Cornelison also sang prior to a Bulls playoff game last season and Bears playoff games in 201011. He also sang at the Bears 2011 season opener on Sept. 11, the ten-year anniversary of 911.

An undergrad from Seattle Pacific Universitymasters student from Indiana University, Cornelison, a native of Vienna, Va., sang with numerous opera companies before coming to Chicago in 1995 to take part in the Lyric Operas Apprenticeship Program where he one of six accepted apprentices among more than 800 applicants. He has performed nationally and internationally with some of the biggest names in opera, such as Plcido Domingo and Zubin Mehta. Known as a heroic tenor for the dark color of his voice but ability to sing in a tenor range, he has sung with opera companies in Bordeaux, London, Brussels and San Francisco, among many other places.

A 1992 graduate of Indiana Universitys Masters of Music program, Cornelison has received numerous accolades for his singing, including the William Matheus Sullivan Foundation Award and the George London Foundation Encouragement Grant, as well as first place in the American Opera Society of Chicagos 1997 Vocal Competition.

1) CSNChicago.com: Jim, its a pretty impressive feat to be a have such a solid fan base as someone who is not a pro athlete or a top sports exec in town, but youve managed to pull that off nicely. Congrats. Lets get right to itat what age did you know you had a little something extra in your voice that separated you from the pack and was music something you knew you wanted to pursue at that time?

Cornelison: When I went to college, I started with music playing the piano and singing in choir. At the end of my freshman year, one of the professors sat me down and asked if I was serious about music. I really didn't know if it was what I wanted to do, but knew I liked it. He said I should consider studying voice because I was not a good piano player! I was such a country bumpkin I really didn't know why people studied voice. From there, the ceiling kept going up and I never did run into anyone that discouraged me.

I sang with Seattle Opera Chorus when I was 20 and realized my voice was as powerful as many of the 40-year-olds. Then, in graduate school at Indiana is where I became one of the leading baritones. I didn't switch to tenor until I was 29. When I came to the Lyric Opera of Chicago in 1995, I was a tenor and people really paid attention to my voice. I had an options contract with Columbia Artists Management at the time and when I left the Lyric, I signed with them. My first job was in Bordeaux. I travelled a lot during those early years of singing, working in Bordeaux, London, Brussels, San Francisco, Minneapolis, Hawaii, at the Lyric in Chicago, Seattle, and many others.

2) CSNChicago.com: Your stirring renditions of our National Anthem have become famous around the world thanks in part to the digital age we live in. On any given night at the United Centerwhen the organ begins the first few bars of the Star Spangled Bannerin your mind, do you shut out the thousands of screaming fans during the anthem to help you focus or does the love from the Blackhawks crowd play a role in your performance?

Cornelison: I love the noise of the crowd! I have to pull into myself if I get too excited. There are very noticeable differences in the volume level on different nights. On some nights, the enthusiasm really fires me up. I'll sometimes find myself on the edge of overdoing it and then I have to settle down.

3) CSNChicago.com: Speaking of the National Anthem -- as many celebs and even pros have done countless times before -- it has to be asked, have you ever screwed up the words while you were singing it?

Cornelison: No! Ha! I wish people would quit asking me that....it makes me nervous!

4) CSNChicago.com: Its probably safe to say that many fans in the Chicago sports community are unaware of your standout opera backgroundand its also pretty safe to say many of them have never even been to the opera (present interviewer included). In your opinion, do you think the opera community works hard enough to bring in new and younger fans to see and hear the performances of some of the greatest voices in the world?

Cornelison: No I don't. Some companies do better than others, but the new operas being written seem to be written to impress academics. I have a fantasy of seeing new opera that is irreverent comedy, something like "Animal House: the Opera!!! Comic opera has almost disappeared in new works. If you created interest with younger people with something like that, then it is a small jump to classic comic opera or the most popular works like La Boheme, or I Pagliacci. I am amazed at the number of native Chicagoans I meet who have never been to the opera. Conversely, I'm amazed at the number of people I've met at hockey games who also are opera fans.

5) CSNChicago.com: If you walked into a karaoke bar and decided to give it a go, name some non-opera song or songs would we most likely hear you belt out.

Cornelison: Believe it or not, I have only done karaoke one time and it was an abysmal failure according to all reports from my supposed friends who were present. I sang "It's Still Rock and Roll to Me" by Billy Joel, not my usual cup of tea. If I do it again, I will do one of my party tunes which could be My Way, Besame Mucho, O Sole Mio, or I might try my hand at Don't Fall in Love with Me by John Legend.

Karaoke is a great way to pretend you are a singer other than what you are! Weddings are fun that way, too. I don't do them often, but I've performed songs that were requested by the bride and groom, as long as I thought I could pull it off: Sinatra, show tunes, occasionally pop and even some country!

BONUS QUESTIONCSNChicago.com: Anything youd like to promote Jim? Tell usCSNChicago.com readers want to hear about it!

Cornelison: I like to put a plug in for the USO that does so much work to support our troops. They and the Blackhawks provide a great opportunity for our military people to come out on the ice with me when I sing and it has elevated the meaning behind the Anthem tradition at the games. It is great fun to see them in the third period on the big screen when all the fans are cheering for them. Great stuff! I'm friends with Tom Tuohy at Dreams For Kids as well. They do incredible work with kids that are disabled, come from poverty or maybe, along with the Illinois Patriot Education Fund, help kids who have lost a parent in the wars. The Blackhawks support them, too. I try to help either group out whenever they ask me.

Cornelison LINKS

Chicago Blackhawks official website

Jim Cornelison on Facebook

Jim Cornelison on Twitter

White Sox draft pick Zack Collins wins Johnny Bench Award

White Sox draft pick Zack Collins wins Johnny Bench Award

This June just keeps getting better and better for Zack Collins.

Collins was selected by the White Sox with the No. 10 pick in the MLB Draft, made it to the College World Series with the University of Miami, signed his first professional contract and now he is the Johnny Bench Award winner.

The Johnny Bench Award was created in 2000 and is given to the top college catcher in Division 1. Previous winners include Buster Posey and Kurt Suzuki.

Collins already had a haul of first-team All-America honors from Baseball America, D1Baseball, the NCBWA, Perfect Game and Rawlings.

Collins hit .363 with 16 home runs, 59 RBIs and a .668 slugging percentage. He also led the nation with 78 walks this season for the Hurricanes, which went 0-2 at the College World Series. Collins started 62 of 64 Miami games and made 59 of those starts at catcher.

How Bulls could land a max free agent and re-sign E’Twaun Moore

How Bulls could land a max free agent and re-sign E’Twaun Moore

Quick note here because we are all eager to get back to our twitter feeds and wild speculation. Even though the Bulls will only have approximately $24 million in cap space, there is one situation in which they can sign a Tier 1 max player AND re-sign E’twaun Moore.

This all hinges on the deal (and discount) that Moore would give the Bulls. The Bulls have Early-Bird rights with Moore; that means they can potentially sign him to a deal and not eat into their cap space. There are a lot of rules into how this works and I won’t bore you with details, but the bottom line is that the Bulls can offer a 3-year deal for approx. $21 million or a 4-year deal for appox $28 million. If Moore accepts this contract, the Bulls just to have account for his ‘cap hold’ of $980,431 in free agency until the actual deal is signed. 

This potential deal would leave the Bulls approximately $23 million to spend, well above the $22.2 million it would take to land a Tier 1 (0-6 year NBA player) in free agency. This includes restricted free agent Harrison Barnes. Again, this only works if Moore doesn’t want to test free agency, or doesn’t receive a better offer in free agency. If Moore wants more money, the Bulls have to use their cap space to sign him to a larger deal.

One important key to any restricted free agent like Barnes, the Warriors will have 3 days to match any offer sheet that Barnes signs. Barnes can’t sign an offer sheet until July 7th, so the Warriors effectively will have until at least July 10th to make that decision. This prevents any team like the Bulls ‘swooping’ in and landing Barnes while Kevin Durant conducts his meetings in the Hamptons.

Cubs aren’t sweating loss to Mets or NLCS flashbacks: ‘Big-boy games are totally different'

Cubs aren’t sweating loss to Mets or NLCS flashbacks: ‘Big-boy games are totally different'

NEW YORK – The Cubs didn’t overreact to getting swept in last year’s National League Championship Series, but the New York Mets did expose some underlying issues while a deep playoff run created a sense of urgency in Wrigleyville.

The Cubs spent like crazy on the free-agent market (almost $290 million) and wore T-shirts around spring training that literally put targets on their chests, knowing the look would go viral on social media and spark love/hate responses.

Making a statement? Sending a message? That’s so last year, when the Cubs were a team still trying to find an identity and learn how to win. The Mets are now the ones feeling the season-on-the-brink anxiety, desperate for offense and crossing their fingers that all those talented young pitchers stay healthy.

Maybe this becomes a turning point for the defending NL champs, beating the Cubs 4-3 on Thursday night at Citi Field to kick off a marquee four-game series in front of 40,122 and a national TV audience. Not that John Lackey – the playoff-tested veteran the Cubs signed to lengthen their rotation for October – felt any added significance in facing the Mets.

“None,” Lackey said. “It’s June, who cares? Big-boy games are totally different.”

Yes, Lackey was “pretty surprised” and a little miffed that manager Joe Maddon pulled him with a runner on and one out in the seventh inning and the Cubs holding a 3-1 lead. Joel Peralta failed this bullpen audition, walking Alejandro De Aza (.158 average) and giving up an RBI single to just-promoted-from-Triple-A Las Vegas rookie Brandon Nimmo.

Neil Walker put the pressure on highlight-reel defender Javier Baez, who fielded a chopper at second base, didn’t have a play at home plate and made the split-second decision to throw toward backpedaling third baseman Kris Bryant. The Mets showed last October that little things matter in big-boy games, and the throwing error from a Gold Glove-caliber player suddenly gave them a 4-3 lead.  

“Getting beat’s one thing,” Lackey said. “But when you feel like you kind of gave one away – or let one go – that’s a different kind of loss.”

The Mets (41-37) might not have must-win games in July, but they needed some good news in “Panic City.” Steven Matz, who set off alarm bells this week with the disclosure he’s been pitching with a bone spur in his left elbow, managed to work into the sixth inning and throw 104 pitches, giving up homers to Bryant and Baez but limiting the damage to only three runs.

Yoenis Cespedes, who revived a lifeless lineup after last summer’s trade-deadline blockbuster, energized the Mets again with a big swing in the sixth inning, drilling a Lackey pitch 441 feet out to left field and onto the third deck, creating a 110-mph exit velocity with his 19th home run.

“New year, different team, different circumstances,” said Jake Arrieta, who lost Game 2 here last October, watching Daniel Murphy reach so far down for a curveball that his left knee almost scraped the dirt, driving it out for a momentum-shifting, first-inning, two-run homer. “We’ll probably relive some memories that weren’t very exciting.

“You never want to lose one step from a World Series. But, again, we had a team that was very young with a lot of rookies contributing. We gained a lot of valuable experience from those games, regardless of the outcome. And we’re obviously better for it this season with some new pieces. We look forward to ending in a little different fashion this year.”

The Cubs (51-27) still don’t have the answer for Mets closer Jeurys Familia, who finished off all four NLCS wins last October and is now 27-for-27 in save chances this season. Miguel Montero led off the ninth inning with a pinch-hit walk and Ben Zobrist followed with a double into right field before those all-or-nothing contact issues resurfaced.

Familia responded by striking out Bryant swinging – all six pitches were marked as sinkers clocked between 97 and 98 mph – and intentionally walking Anthony Rizzo to load the bases. Maybe this exposure will pay off in the playoffs, but Familia struck out Willson Contreras swinging and got Javier Baez to pop out to end the game. The Citi Field sound system started playing Ace Frehley’s “(I’m Back, Back in the) New York Groove.” Not that the Cubs were having flashbacks.

“We know the feeling of getting eliminated, getting swept, but I think we’re onto bigger and better things,” Bryant said. “We’re ready for it. Different year, different players here, different attitude.”